Today’s discovery: fishing boat is an experimental composer! Play the full range if possible.
Tascam-ed this evening as I sent it off to the moon-lit Pacific.
Task at hand: Spider Lily Red – Flare (One). Visual snippets are from late March to mid April, recorded easy breezy as the cherry blossoms came and went.
“Hope you get to see the cherries fall – have you?
There’s this one day all the trees decide to let go of the petals, it’s not the rain, or storm…but when this one day comes, often a very sunny day, they release their petals and fill the gray and busy Tokyo with swirling mass of pink confetti.”
– from an unsent letter, three springs ago.
The text is a repost from April 2014. Although the original post was deleted (it was not “dense” enough to stay – with each post I try to deliver something meaningful, personally and hopefully also somewhat universally.) I liked the text and every year I thought of it as the cherries fell. Because they fall, how they fall each year, as if the petals are held by micro hands that release the grip at the command inaudible to human ears, orchestrated in perfect timing optimal for the falling petals to dance midair.
I am also accumulating videos, of the blossoms, me painting, and other various scenes from spring I wish to put together at one point. For now though, I am focusing my effort on finishing the painting because.
Using dye is a delicate business. One must protect the budding piece from any moisture (e.g. sneezing, drooling..) and flying dye particles that become only visible once heat-set. It is best done in one sitting, in this case in one long sitting.
I am posting some snaps on my VSCO account as I inch forward, so do come have a look when really bored perhaps, it is a good place to hang a while I think.
Thank you for your visit, enjoy your April.