I am a lap swimmer, have been since early 1980’s. Been back and forth in aqua blue rectangles worldwide, total sum of distance I covered would, at this point, get me from Central Pacific JPN to the island of Guam I bet.
At one point in my 20’s I realized one thing: when I focus on getting “there” sooner, I’d have a terrible time, increasingly frustrated because, in rectangles “there” does not exist. If I focus on each stroke however, by the time I hit a kilometer I’d be high as a kite. I don’t cliche you on my website; this just simply my experience. Fitness a fringe benefit, hooked on this euphoria ever since.
Spider Lily Red (2012 – )
Photos, from top (date photographed):
Petal (September 22, 2013)
A casual, care-free snapshot of spider lily petals, from one of the early macro sessions that introduced me to their delicate / dynamic world.
The one in the middle became THE petal.
Study (November 11, 2013)
Pencil on paper. Started off equally care-free, quickly discovered the shape to be overwhelmingly complex.
Nearly tossed the whole thing in a bin, a trash bin that is.
Why / how I didn’t remains a mystery.
Develop (June 01, 2015)
Pencil on another paper, after few more drawing experiments and several dye tests. Incrementally molding it into my style of line drawing, initially inspired by engravings from 18th Century.
Expand (January 10, 2016)
Still pencil on paper. My interpretations of red spider lilies are translated into each flowing lines.
At least that’s what I think I’m doing, oki?
The kind of endeavor tends to take plenty o time.
Augment (December 01, 2016)
Acid dye on silk. Took about nine full months to paint the pencil drawing (the one below) – of the curly half of the petal I’d call it, on fabric.
Blow up copy on the wall is a drawing of the wavy half of the petal, by the way is painted on the project’s second piece at the time of this writing, in late November 2019.
Refine (October 04, 2016)
Pencil on paper, the first of the two part drawings, congrats to me, completed.
Photographed outside hence leaves casting shadows visible on white space.
Form (May 24, 2017)
Acid dye on silk, photographed while still in painting process but by then I was starting to see the light, the tunnel exit light.
Pinned together to match the lines at seams.
There is a bird of prey named “Kite”, they glide up high in circles, scanning the ground for a strolling moron with a fish sandwich (a true story). In speed of light the hungry moron would lose her sandwich, snatching so slick it’d leave her with a heightened sense of awe memorable for decades to come.
Why steal when all you do is glide in circles?
Their whistles gentle like a songbird, its resonance the awe heightened up high, falling mist on the moron in euphoric micro particles.