On the day of the blood moon, making of five dye sample swatches was completed. Each is drawn on a different fabric, a silk, holds dye particles in its own way.
The one below is drawn on ivory-colored silk chiffon georgette, so far my most favorite, quite unexpectedly so, as I thought it’d be too fluid even for the faintest touch with a brush-point.
Twenty days in September spent beside red spider lilies had left me with a gift that seems to be growing on its own. Just as the project itself has a life of its own. Last year I drew the lilies off photographs, dragging my feet at times as I study their complex shapes on a series of pencil drawings. Weary, I’d put my pencil down, on, off and so forth. When I return to it though, I found myself, once and again, in ideas and skills, at a place further ahead from where I left off.
Fairies, has got to be. The red lilies and their hired hands. They followed me home and started building an engine, a gift to the repeat visitor and her adoring eyes.
The lilies were here only for a short time; the rural landscape feels even more muted since. But those fairies they never quit, day after day, working on the motor that is fueled by my remembering the special tone of red. The spider lily red.
The blue photo above was taken on the night of total lunar eclipse, shortly after the moon rose above the horizon, just a few hours before the show time. I omitted the moon in the photo but trust me it was there, sprinkling glitters on the darkened surface of the Big Fluidity.
The swatches are about to be sent off to specialists in Tokyo for steam-setting very soon. They are made as the first step for “Spider Lily Red”, the latest addition to my dyed threads series. You can view the progress of the project as well as the Lilies – the muse, sans fairies, in these posts.
Thank you for your visit.